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Qu'est-ce (qui) est psaltery - définition
EUROPEAN BOX ZITHER, NAMED FOR ANCIENT GREEK PSALTERION HARP
Psalteries; Psaltyry; Psaltiri; Cymbala; Psaltry; Psaltērion; Psaltérion
![Gorleston-on-Sea, England. Psaltery player from the [[Gorleston Psalter]], c. 1310–1326.](https://commons.wikimedia.org/wiki/Special:FilePath/Gorleston Psalter psaltery player.png?width=200 "Gorleston-on-Sea, England. Psaltery player from the [[Gorleston Psalter]], c. 1310–1326.")
.JPG?width=200 "France")
 Cathédrale Crypte Ange musicien 11.JPG?width=200 "France, Notre Dame Cathedral")
![Palatine Chapel]], ca. 1140 A.D.](https://commons.wikimedia.org/wiki/Special:FilePath/Cappella Palatina-ceiling-ISL15002.jpg?width=200 "Palatine Chapel]], ca. 1140 A.D.")
![Psaltery notes,[[Museum musicum theoreticalo practicum]] page 72](https://commons.wikimedia.org/wiki/Special:FilePath/Psaltery notes, Museum Musicum Theoretico-Practicum page 72.jpg?width=200 "Psaltery notes,[[Museum musicum theoreticalo practicum]] page 72")
Psaltery
·noun A stringed instrument of music used by the Hebrews, the form of which is not known.
psaltery
['s?:lt(?)ri, 's?l-]
¦ noun (plural psalteries) an ancient and medieval musical instrument like a dulcimer but played by plucking the strings with the fingers or a plectrum.
Origin
ME sautrie, from OFr. sauterie, from L. psalterium (see psalter).
Psalteries
·pl of Psaltery.
Wikipédia
Psaltery
A psaltery (Greek: ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by it. Its resonance box is usually trapezoidal, rectangular or in the form of a "pig's head" and often richly decorated.
Exemples du corpus de texte pour psaltery
1. Those who love music in churches, though, might very well cite against Zwingli the specific instruction in Psalm 150 that God should be praised with the sound of the trumpet, the psaltery, the harp, the timbrels, the stringed instruments and the pipe, the loud cymbals and the high–sounding cymbals – an edict that, by extension, ought presumably now to justify such later inventions as the saxophone, trombone and synthesiser.